

"It's a dump, but it's beautiful." Bonesmen "It's basically ruins." Another Bonesman says that to call the island "rustic" would be to glorify it. "Now it is just a bunch of burned-out stone buildings," a patriarch sighs. But although each new Skull and Bones member still visits Deer Island, the place leaves something to be desired. The forty-acre retreat is intended to give Bonesmen an opportunity to "get together and rekindle old friendships." A century ago the island sported tennis courts and its softball fields were surrounded by rhubarb plants and gooseberry bushes. Alexandra Robbins, author of a book on Yale secret societies, wrote: The society owns and manages Deer Island, an island retreat on the St.

In the late 1990s, New Hampshire landscape architects Saucier and Flynn designed the wrought iron fence that surrounds a portion of the complex. Pinnell also discusses the "Tomb's" aesthetic place in relation to its neighbors, including the Yale University Art Gallery. Pinnell speculates that the re-use of the Davis towers in 1911 suggests Davis's role in the original building and, conversely, Austin was responsible for the architecturally similar brownstone Egyptian Revival Grove Street Cemetery gates, built in 1845. Architectural historian Patrick Pinnell includes an in-depth discussion of the dispute over the identity of the original architect in his 1999 Yale campus history. The architect was possibly Alexander Jackson Davis or Henry Austin. Evarts Tracy was a 1890 Bonesman, and his paternal grandmother, Martha Sherman Evarts, and maternal grandmother, Mary Evarts, were the sisters of William Maxwell Evarts, an 1837 Bonesman. The 1912 tower additions created a small enclosed courtyard in the rear of the building, designed by Evarts Tracy and Edgerton Swartwout of Tracy and Swartwout, New York. The front and side facades are of Portland brownstone in an Egypto-Doric style. The building was built in three phases: the first wing was built in 1856, the second wing in 1903, and Davis-designed Neo-Gothic towers were added to the rear garden in 1912. The Skull and Bones Hall is otherwise known as the "Tomb". Skull and Bones "taps" those that it views as campus leaders and other notable figures for its membership.
Since the society's inclusion of women in the early 1990s, Skull and Bones selects fifteen men and women of the junior class to join the society. Skull and Bones selects new members among students every spring as part of Yale University's "Tap Day", and has done so since 1879. The first extended description of Skull and Bones, published in 1871 by Lyman Bagg in his book Four Years at Yale, noted that "the mystery now attending its existence forms the one great enigma which college gossip never tires of discussing." Brooks Mather Kelley attributed the interest in Yale senior societies to the fact that underclassmen members of then freshman, sophomore, and junior class societies returned to campus the following years and could share information about society rituals, while graduating seniors were, with their knowledge of such, at least a step removed from campus life. The association was founded by Russell and Daniel Coit Gilman, a Skull and Bones member. The society's assets are managed by the society's alumni organization, the Russell Trust Association, incorporated in 1856 and named after the Bones co-founder. William Huntington Russell and Alphonso Taft co-founded "the Order of the Scull and Bones". Skull and Bones was founded in 1832 after a dispute among Yale debating societies Linonia, Brothers in Unity, and the Calliopean Society over that season's Phi Beta Kappa awards.
